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"The Grand Tetons"
I have always loved the rugged beauty and majesty of mountains,
so it was only fitting that I design a window of one of my
favorite mountain ranges, the Grand Tetons. The idea for this
window began as my husband and I were working with
our architect in designing our current home. As we discussed the
different elements of this home, the idea of a special place for
one of my windows evolved.
Creating the right design started when I selected one of my
husband's photographs from one of our trips to the Tetons. He
took this picture from Snake River Overlook during the fall of
2004. I imported this photo into the Glass Eye 2000 and began
working in stages.

The window needed to be 36" in diameter to fit into the 48" diameter window of our home. I opened a new design file and
created a circle of 36" in diameter. Easy! Then I created the
design for just the mountains and resized them to fit nicely
within the 36" circle. At this point, I realized that I needed
to take some artistic liberties with the mountains, which I did.

I opened a new file and began work on the foreground, with
the trees and the river. This part took the longest, as
I wanted to capture some of the trees, but not have too much
detail which could make things look too busy. I used the "Show
Background" feature a lot
during this phase to toggle my photograph on and off, which
showed me the differences between my drawing and the photo.
Once I was satisfied with that aspect of the design, I used
the "group" feature of Glass Eye 2000 to select design
sections I liked of the river and trees.

I copied and pasted the foreground into the design with the
mountains and sized the foreground to be in a pleasing
proportion to the mountains. After a number of iterations, I
came up with a design that I really liked. Making adjustments or
corrections to the design is so simple in Glass Eye 2000 -- it really saves time from having to redraw a design by
hand. I do some hand drawing as a foundation for a design, and
then import the drawing into Glass Eye 2000. Ultimately, I do the
bulk of my work and fine-tuning of a design in Glass Eye 2000.
The piece is done in copper foil with a lead border. The
center of the window has a hinge point where the base of
the mountains meets up with the foreground, and that required
reinforcement. I also added some reinforcement to a couple of
the other long horizontal lines to give the piece
added strength. With the reinforced horizontal lines, the lead border,
and the oak frame, it has plenty of stability. The size of the
piece made it challenging to flip it to solder the
back side. I was able to "sandwich" the piece between two
sheets of heavy-duty insulation board and turn it to solder the back. I
managed to finish soldering and cleaning each side completely to
limit the number of times it had to be turned. I finished the
solder lines with JAX pewter black patina, which gives a nice
aged look to the solder lines.

Every day I get to look at the beauty of the Tetons preserved
in stained glass, and I smile remembering how much fun we have
when we visit and hike the Tetons.
~ Kathleen Krucoff
About the artist
Kathleen's day job is that of a software engineer, which allows
her to
utilize her B.S. in Computer Science. However, her real love is
creating something wonderful in stained glass. Her endeavors
are divided among time spent with her husband and her basset
hounds, her professional career, and her art.
Stained glass provides an excellent outlet for her creativity.
She has been mentored by some gifted and talented stained glass artists.
She is a
member of the Palmer Lake Art Group and the
Glass Artists
Fellowship.
Kathleen works on commission. Examples of her designs can be
seen at her
website
and she can be reached by
email. Much of her inspiration comes from her husband's
photographs of nature.
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